Research Projects
HOME OF PERFORMANCE PRACTICES has a thriving research culture. Alongside the independent research of individual students and faculty, we encourage collaborative, de-disciplined and socially engaged research initiatives.
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Below you can find a depository of all the research conducted by our Master students.
Choreography based Research Projects
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ANALU FRETTA BARROS (2020-2022) | BLA BLA: Between Languages and Body-Languages and Dance-Poetry
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ANTI UIMONEN (2020-2022) | Movement Improvisation as a Practices to Imagine Sustainable Futures
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BARBARA LEHTNA (2019-2021) | Negotiable Consent: A care-mechanism in participatory performance
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DIETER DEFURNE (2018-2020) | Lingering Dance: Kinesthetic Experience of Time in Movement
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ELLA TIGHE (2019-2021) | The Hospitality of Surrender: Re-situating Agency within Dance Practice
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KADRI SIREL (2020-2022) | De-desiring Dance Languaging for the Emergence of Dance Thinking
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RHYAN O'SHEA (2021-2023) | Ambivalence in Performance: Through Camp, with Joy
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TANIA GONZALEZ (2021-2023) | Still Dance: Movement in Times of Exhaustion
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ZANDILE DARKO (2020-2022) | Becoming Turtle: Posthuman Strategies of Practice
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Performance Art based Research Projects
Theatre Practices based Research Projects
ANNE MARINA FIDLER (2020-2022) | Remedies for Connection: Polyvagal Practices and Participatory Performance
BARBARA LEHTNA (2019-2021) | Negotiable Consent: A care-mechanism in participatory performance
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DANIEL VOORTHUIS (2018-2020): | Malfunctions: Ethics and Ontologies for Dressing-Up
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RICHARD L. KRAMAR (2018-2020) | The objected and the objecting doin'it for themselves
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MARIKEN OVERDIJK (2018-2020) | The city as an anthology: Reading my town by writing her a letter
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RHYAN O'SHEA (2021-2023) | Ambivalence in Performance: Through Camp, with Joy
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VICKY MAIER (2021-2023) | The Joke's on____. Considerations on Ethics in Comedic Storytelling
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ZANDILE DARKO (2020-2022) | Becoming Turtle: Posthuman Strategies of Practice
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Performance Art based Research Projects
ANDREA VAN DER KUIL (2020-2022) | Uncrafting Worth: Using Crafty Labour to Renegotiate Worth
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ANNE MARINA FIDER (2020-2022) | Slut: A Love Story
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ANTRIANA MOUTOULA (2019-2021) | Nonstop Languaging as Autotheory in Art and Academia
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ANUSHKA NAIR (2019-2021) | Becom(th)ings: Posthumanism, Subjectivity, Performance art ​
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ELLA TIGHE (2019-2021) | The Hospitality of Surrender: Re-situating Agency within Dance Practice
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GAB BRANCO (2021-2023) | The Fissure Practice : a trans-(de)-disciplinary artistic research on breaking silences through “envoicement” and embodiment
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GUSTAVO TOME (2020-2022) | The Artist is Tired: How Partying Fails the Affects from Burnout Society
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ZANDILE DARKO (2020-2022) | Becoming Turtle: Posthuman Strategies of Practice
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MARIKEN OVERDIJK (2018-2020) | The city as anthology: Reading my town by writing her a letter
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MAYA NITZAN (2020-2023) | The Fictitious Self & The Real Other: A Manual for Benign Liars
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STELIOS TROULLAKIS (2020-2022) | Queer-ies in Ritual: A Study of Queer Subjectivities in Emergence
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Digital Performances based Research Projects
De-disciplined Body in Performance based Research Projects
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ANALU FRETTA BARROS (2020-2022) | BLA BLA: Between Languages and Body-Languages and Dance-Poetry
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ANDREA VAN DER KUIL (2020-2022) | Uncrafting Worth: Using Crafty Labour to Renegotiate Worth
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ANTRIANA MOUTOULA (2019-2021) | Nonstop Languaging as Autotheory in Art and Academia
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ANUSHKA NAIR (2019-2021) | Becom(th)ings: Posthumanism, Subjectivity, and Performance Art
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DANIEL VOORTHUIS (2018-2020): | Malfunctions: Ethics and Ontologies for Dressing-Up
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ERMIS CHRISTODOULOU (2021-2023) | Trans-Mission: Visualizing and Imagineering Transgender Voice
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FAI ALDHUKAIR (2021-2023) | It is Better not to Speak: Practices of Preserving Precarious Bodies
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JESSICA RENFRO (2019-2021) | We called it _______: Filling the Gaps in Participatory Art Design
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MARIKEN OVERDIJK (2018-2020) | The city as anthology: Reading my town by writing her a letter
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STELIOS TROULLAKIS (2020-2022) | Queer-ies in Ritual: A Study of Queer Subjectivities in Emergence
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VICKY MAIER (2021-2023) | The Joke's on____. Considerations on Ethics in Comedic Storytelling
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